Hello and welcome to Room Tone, I am Hannah Whitlock, and this is the show about how records actually get made, by the people who make them. Today my guest is a producer whose biggest record has a drum sound that people have been trying to copy for years. It turns out it was recorded in a concrete stairwell, with one microphone, because the proper drum room was locked and nobody had the key. We are going to play the raw stem, then the processed stem, then the final mix, so you can hear every decision rather than just hear us describe it. And then we will talk about what you can do with one microphone and a corridor, because most of you do not have a stairwell. You are listening on Witspeak Podcasts.