The one frame from the fire season
Harriet talks with a Canadian wildfire photographer about the single image each of them cannot stop thinking about, and the ethics of making a beautiful picture of a disaster.

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Harriet talks with a Canadian wildfire photographer about the single image each of them cannot stop thinking about, and the ethics of making a beautiful picture of a disaster.
Harriet and a Manila street photographer make the case for harsh midday sun, with the techniques they use when the light is flat, high and unforgiving.
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