Casting a play when nobody can take six weeks off
Folake and a London fringe director compare notes on casting with actors who have day jobs, evening rehearsals, and the moment you realise the best audition will not be available.

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Folake and a London fringe director compare notes on casting with actors who have day jobs, evening rehearsals, and the moment you realise the best audition will not be available.
A Lagos stage manager tells Folake about the night the generator failed mid-performance, how the cast finished the play by torchlight, and what she now packs for every show.
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