Characters Who Only React: Giving Your Lead a Want
Lenore looks at passive protagonists, why readers put those scripts down by page twenty, and how a small, specific want fixes the second act, with examples from Lady Bird and Michael Clayton.

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Lenore looks at passive protagonists, why readers put those scripts down by page twenty, and how a small, specific want fixes the second act, with examples from Lady Bird and Michael Clayton.
Lenore breaks down why scenes sag, using a page from Tootsie and one from her own first draft, and shows how cutting the first and last quarter of a scene changes everything.
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